My recent work for The Holburne Museum, Bath has rooted out a new working methodology.
These works were produced by taking a preexisting object (a plastic ready to go jelly pot) and casting it, replicating it, distorting it to create a new work/sculpture. The approach used to make these sculptures echoes the processes used to make the original plastic cast jelly pot.
Gillian Rose (2012) in Visual Research talks about the three sites of production when creating images, or in this case, 3D works.
Interpretations of visual images broadly concur that there are three sites at which the meaning of an image are made: the site(s) of the production of an image, the site of the image itself, and the site(s) where it is seen by various audiences.
So far I have begun to unpack the site of production. I have used the context of the jelly pot to inform my making process. I see this as being truthful to the production, or history of the object; essentially seeking the truth.
Preliminary drawings and plaster maquettes helped me to assess the visual content of the image itself. Experimenting with individual components was a suitable approach to establishing the most successful combinations.
And the audience site of the work will occur in a museum cafe on a banqueting table, which is highly appropriate.
This approach to making and showing work has been extremely useful in building on my preexisting knowledge and methodology. Concerning myself with the three sites of production will enable me to make work that is truthful, visually strong and is seen in the right space.